|"Dark Rudra" original on canvas and paper, Norman Sjoman|
I t happened the usual way things happen for me. I read something curious and then the thought of it grew, generating questions that then fractured and multiplied, interrupting my routines, populating my peripheral vision. I owe this particularly pleasant detour to Canadian painter, writer, yoga teacher and Sanskritist Norman Sjoman who I’m told was living in Argentina at the time I managed to make contact with him. See, I was on a mission to sequester myself (very successful on the isolation end of things) with the books I needed to read for my final comprehensive exam when I re-read Sjoman’s lovely book, The Yoga Tradition of the Mysore Palace, in which he wrote the following:
"I feel that the only possible way of communicating any meaningful sense of justice is through one's personal sense of order, one's aesthetic."So of course, this seemed an unusual pronouncement to make. I mean, not that the statement itself is hard to understand, but that Sjoman had decided to open his discussion of the hatha yoga traditions of the Mysore Palace with this note to his readers seemed out of the ordinary. What was his concern with the aesthetic?
|"Harihara," original on canvas/paper, Norman Sjoman|
|"Rudra Rajata" original mixed media on canvas, Norman Sjoman|